ATTENTION: Below are Theatre Arts Project Topics with available Chapters 1-5. Click on any to read its Contents
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AN ASSESSMENT OF MASS MEDIA CAMPAIGN AGAINST FEMALE GENITAL MUTILATION (FGM) IN AGENEBODE, ETSAKO EAST LOCAL GOVERNMENT AREA
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INFLUENCE OF NIGERIAN HOME VIDEO FILMS ON CRIMINALITY
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FUNCTIONS AND RELEVANCE OF COSTUME IN NGWAS EKPE FESTIVAL
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THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE
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STAGE MANAGEMENT PRACTICE IN THE AKWA IBOM STATE COUNCIL FOR ARTS AND CULTURE
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COMPARATIVE ANALYSIS OF AUDIENCE ENGINEERING IN THE UNIVERSITIES OF UYO AND CALABAR
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A COMPARATIVE ANALYSIS OF THE EXPERIMENT AND FEEDBACK OF THE THEATRE FOR DEVELOPMENT PROJECT IN IBIAKU COMMUNITY 2013
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AN ASSESSMENT OF MASS MEDIA CAMPAIGN AGAINST FEMALE GENITAL MUTILATION (FGM) IN AGENEBODE, ETSAKO EAST LOCAL GOVERNMENT AREA
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AUDIENCE PERCEPTION OF MEDIA COVERAGE AND MANAGEMENT OF THE 2011 POST ELECTION VIOLENCE
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CONFLICT-SENSITIVE REPORTING IN NORTHERN NIGERIA
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FROM DIFFUSION TO COMMUNITY PARTICIPATION: THE COMMUNICATION STRATEGIES OF THE NATIONAL MALARIA CONTROL PROGRAMME (NMCP)
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A GENDER ANALYSIS OF NIGERIA’S MILLENNIUM DEVELOPMENT GOALS IMPLEMENTATION REPORTS
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ASSESSING PARTICIPATORY RESEARCH FOR EFFECTIVE DESIGN OF HEALTH COMMUNICATION
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COMMUNICATING CHANGE AND SOCIETAL VALUES IN SELECT NIGERIAN HOME MOVIES
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COMMUNICATION AND GOOD GOVERNANCE
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AN APPRAISAL OF ELECTRONIC WALLET COMMUNICATION IN GROWTH ENHANCEMENT SUPPORT SCHEME OF AGRICULTURAL TRANSFORMATION AGENDA
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COMMUNICATION IN AGRICULTURAL RESEARCH AND INNOVATION PROCESS
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TESTIMONIAL ADVERTISING AND CONSUMER BEHAVIOR OF CHIEF ZEBRUDAYA’S CELEBRITY ROLE IN “ELEPHANT BLUE DETERGENT”ADVERT
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THE INFLUENCE OF THE INTERNET ON INFORMATION ACQUISITION AMONG STUDENTS
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VIOLENCE PORTRAYAL IN HOLLYWOOD AND IMPLICATIONS FOR YOUTHS‟ MORAL DEVELOPMENT: A READING OF “THE HOSTEL” AND “THE LAST HOUSE ON THE LEFT”
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WOMEN’S PARTICIPATION IN COMMUNICATING PRIMARY HEALTH-CARE POLICY
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YOUTUBE, NEW MEDIA, ADVOCACY AND THE CHALLENGES OF AUTHENTICITY
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THEATER AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS
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A CRITICAL STUDY OF SOCIO-CULTURAL PRACTICES HINDERING WOMEN’S POLITICAL PARTICIPATION
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ROLE OF MUSIC IN TRADITIONAL FESTIVAL
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IMPACT OF HOME VIDEOS (FILMS) TO YOUNG YOUTHS IN NIGERIA (A case study of Kaduna state)
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HOW TRADITIONAL IS AFRICAN DANCE TODAY: AFRICAN DANCE AND ITS ESSENCE
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THE INFLUENCE OF FOREIGN TELEVISION ON NIGERIAN YOUTHS: A CASE STUDY OF YEAR TWO STUDENTS IN DEPARTMENT OF THEATER AND FILM STUDIES, UNIVERSITY OF PORT HARCOURT
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COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA
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THE IMPACT OF MUSIC ON TELEVISION COMMERCIAL
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COMPARATIVE ANALYSIS OF AUDIENCE ENGINEERING IN THE UNIVERSITIES OF UYO AND CALABAR
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FORTUNE PALMS” A VIDEO DOCUMENTARY ON PALM OIL PRODUCTION IN RISON PALM, UBIMA.
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MAN MATRIMONY AND SEX IN NIGERIAN DRAMA. A CASE STUDY OF WIVES REVOLT BY JP CLARK AND BROKEN CALABASH BY TESS AKAEKE ONWUEME.
- PROBLEMS AND PROSPECTS OF MOVIE MAKING IN NIGERIA’S NOLLYWOOD
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MASK MAKING AND ITS USES IN CHILDREN’S THEATRE: A CASE STUDY OF UNIVERSITY OF PORT HARCOURT CHILDREN.
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AN APPROACH TO CHILDREN’S THEATRE THROUGH CREATIVE DRAMATICS.
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THE ACTOR AND HIS ROLE: A CASE STUDY OF THE CHARACTER OF EGO IN ADAEZE ATUEGWU’S MY HUSBAND’S MISTRESS.
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ROLE INTERPRETATION: THE CHARACTER OF OBIAGELI IN “OTAELO”, BY AHMED YERIMA.
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WOMEN AND LEADERSHIP IN NIGERIA DRAMA. THE EXAMPLE OF ROTIMI JOHNSON’S THE COURT OF THE QUEEN’S BY UDENWOKE ALPHONSIANA CHIZOBA.
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STRATEGIES FOR THE MANAGEMENT OF THE THEATRICAL EVENTS IN CHIEFTAINCY INSTALLATION CEREMONIES. THE CASE IN BUGUMA, RIVERS STATE.
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WOMEN SUBJUGATION IN SOUTHERN NIGERIA. A STAGE DRAMATIZATION OF THE WIVES REVOLT BY JP CLARK.
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THEATRE MANAGEMENT OF A TRADITIONAL AFRICAN FESTIVAL: A CASE STUDY OF ODI OGORI FESTIVAL OF KOLOKUMA/OPUKUMA LOCAL GOVERNMENT AREA OF BAYELSA STATE.
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NIGERIAN HISTORICAL MOVIES AND THE SOCIETY. A STUDY OF ODUDUWA AND KING JAJA OF OPOBO.
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THE DRAMATIST AND SOCIAL HISTORY IN NIGERIA. A CASE STUDY OF OVONRAMWEN NOGBASI BY OLA ROTIMI
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THE PROSPECTS OF THEATRE FESTIVALS IN NIGERIA AS TOURIST ATTRACTION – A CASE STUDY OF THE NATIONAL THEATRE.
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THE MANAGEMENT OF A CULTURAL DANCE: A CASE STUDY OF “DIBU UGO CULTURAL DACE OF UGIRI” ISI-ALA MBANO
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THE STRATEGIES FOR MANAGING A TRADITIONAL THEATRE PERFORMANCE IN BUGUMA RIVERS STATE, NIGERIA. A CASE STUDY OF IKAKI MASQUERADE PERFORMANCE.
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BUILDING THE CREATIVE POTENTIALS OF THE ADOLESCENT: THE CREATIVE DRAMATISTICS APPROACH.
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“LABISTA”: THE ROLE OF CONTINUITY IN THE MANAGEMENT OF A FILM PRODUCTION.
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THE NIGERIAN ACTOR AND THE PERSONALITY QUESTION. A CASE STUDY OF SOME ACTORS.
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REALIZING THE CHARACTER IN ACTING THE ROLE OF PAPA ONA IN AMANDA N. ADICHIE “FOR LOVE OF BIAFRA”.
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MANAGEMENT STRATEGIES IN GOVERNMENT AND PRIVATE OWNED THEATRES IN NIGERIA. A COMPARATIVE STUDY
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NIGERIA’S NOLLYWOOD: PROBLEMS AND PROSPECTS OF MOVE MAKING IN NIGERIA
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DRAMA AS AN INSTRUMENT FOR CONFLICT RESOLUTION IN NIGERIA. A LITERARY ANALYSIS OF AMANDA ADICHIE’S FOR LOVE OF BIAFRA
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THEATRE MANAGEMENT OF A TRADITIONAL AFRICAN FESTIVAL. A CASE STUDY OF ODI UMAUCHI OWERRI FESTIVAL OF EHIME MBANO LGA OF IMO STAT
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ROLE OF INTERPRETATION AND CHARACTER DEVELOPMENT OF “TONYE” IN THE FILM, “DAWN OF A NEW DAY” DIRECTED BY IKEZEM GODSWILL
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THE IMPACT OF TOYS IN CHILDREN’S EDUCATION
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DRAMA AND THEATRE AS TOOLS FOR HISTORICAL ANALYSIS – CASE STUDIES OF BELL-GAM’S KING JAJA AND ODUM EGEGE BY MIESOINUMA MINIMA
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THE ACTOR AS AN INSTRUMENT OF SOCIAL CHANGE. A CASE STUDY OF THE INTERPRETATION OF EBUBE BY SAM DEDE IN ISAKABA I AND II
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THEATRE EDUCATION ON CHILD LABOR AND WOMEN TRAFFICKING: A CASE STUDY OF WOTCLE
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RAPE AND AGGRESSIVE SEXUAL BEHAVIOUR: CAUSES AND EFFECTS. A PRACTICAL VIDEO DOCUMENTARY FIL
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PERFORMER AS AN EXPRESSIVE MEDIUM OF A PEOPLE’S: A CASE STUDY OF UKO AKPAN CULTURAL GROUP OF AKWA IBOM STATE
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PUBLICITY AS A MARKETING STRATEGY. A CASE STUDY OF ELECHI AMADI’S ISIBURU AS PRODUCED BY THE RIVERS STATE COUNCIL FOR ARTS AND CULTURE.
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LIGHT AS ILLUMINATION AND EFFECT: A LIGHTING PROJEC
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TRADITIONAL THEATRE AS A MEANS OF COMMUNICATION
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THE NEED FOR A SUSTAINABLE THEATRE MANAGEMENT POLICY IN NIGERIA COUNCIL FOR ARTS AND CULTURE: A CASE FOR DELTA STATE COUNCIL FOR ARTS AND CULTURE
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THE THEATRE ARTS GRADUATE AND THE LABOUR MARKET IN NIGERIA
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THE IMPACT OF MANAGEMENT ON THE DEVELOPMENT OF A FESTIVAL: A CASE STUDY OGWU-EKPEYE OF THE EKPEYE TRIBE OF RIVERS STATE
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PROJECTING A STATE IMAGE THROUGH THE THEATRE: THE CONTRIBUTIONS OF THE RIVERS STATE COUNCIL FOR ARTS AND CULTURE.
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THEATRE MANAGEMENT IN DELTA STATE COUNCIL FOR ARTS AND CULTURE. A CASE STUDY OF DELTA STATE COUNCIL FOR ARTS AND CULTURE
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THE TASK OF MANAGING A RADIO STATION. A CASE STUDY OF BAYELSA STATE RADIO CORPORATION
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PROBLEMS OF THEATRE MANAGEMENT IN IMO STATE. A CASE STUDY OF IMO STATE COUNCIL FOR ARTS AND CULTURE.
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THE SCREEN ACTOR AND CULTURAL IDENTITY. A CASE STUDY OF IGODO.
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COMEDY AS A SOCIAL COMMENTARY. A CASE STUDY OF ELECHI AMADI’S PEPPERSOUP AND ZULU SOFOLA’S THE WIZARD OF LAW.
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CREATIVITY AND THE PHYSICALLY HANDICAPPED. A VIDEO DOCUMENTARY ON THE HOPE FOR THE DISABLED.
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LEADERSHIP CRISIS AND INEQUALITY IN NIGERIA: A CASE STUDY OF JULIE OKOH’S WHO CAN FIGHT THE GODS?
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DIRECTING AN EDUCATIONAL THEATRE: A CASE STUDY OF BAKARI OJO RASAKI’S “DRUMS OF WAR”.
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MANAGING A STAGE PLAY WITH LIMITED RESOURCES. A CASE STUDY OF HENRY BELLGAM’S UBE REPUBLIC.
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JUSTIFICATION FOR THE TEACHING OF DRAMA IN CHILDREN’S THEATRE IN RIVERS STATE PRIMARY SCHOOL.
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COSTUME AND CULTURAL EXPRESSION: A STUDY OF MOLIERE’S THE MISER AS A PRACTICAL THEATRICAL EXPERIENCE.
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A COMPARATIVE STUDY OF STAGE AND TELEVISION PRODUCTIONS – PROBLEMS AND PROSPECTS.
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THEATRE AS A MEDIUM FOR ENHANCING OUR STANDARDS OF LIVING AND DYING: A DIRECTORIAL APPROACH TO BARCLAYS AYAKOROMA’S. A MATTER OF HONOUR.
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EXPOSING THE AFRICAN CULTURAL HERITAGE. A CASE STUDY OF ZULU SUFOLA’S KING EMENE.
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POLITICS AND CLASS CONSCIOUSNESS: A CASE STUDY OF OLA ROTIMI’S IF…AND HOPES OF THE LIVING DEAD.
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CHARACTER INTERPRETATION IN NIGERIAN VIDEO FILMS: A CASE STUDY OF SAM DEDE.
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DRAMA AS A TOOL FOR SOCIAL CHANGE: A CASE STUDY OF EKENNA UDO-IGWE’S LIVING DEAD, PRODUCED BY EMMALEX PRODUCTIONS, 2004.
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DRAMA AND THEATRE PRACTICE AS EFFECTIVE MEANS FOR CHILDREN’S DEVELOPMENT. A CASE STUDY OF UNIVERSITY DEMONSTRATION SECONDARY SCHOOL