THEATRE ARTS PROJECT TOPICS

ATTENTION: Below are Theatre Arts Project Topics with available Chapters 1-5. Click on any to read its Contents
  1. AN ASSESSMENT OF MASS MEDIA CAMPAIGN AGAINST FEMALE GENITAL MUTILATION (FGM) IN AGENEBODE, ETSAKO EAST LOCAL GOVERNMENT AREA
  2. INFLUENCE OF NIGERIAN HOME VIDEO FILMS ON CRIMINALITY
  3. FUNCTIONS AND RELEVANCE OF COSTUME IN NGWAS EKPE FESTIVAL
  4. THE IMPACT OF NIGERIAN NATIONAL THEATRE AS A VEHICLE FOR CULTURAL PROMOTION AND COMMERCIAL VENTURE
  5. STAGE MANAGEMENT PRACTICE IN THE AKWA IBOM STATE COUNCIL FOR ARTS AND CULTURE
  6. COMPARATIVE ANALYSIS OF AUDIENCE ENGINEERING IN THE UNIVERSITIES OF UYO AND CALABAR
  7. A COMPARATIVE ANALYSIS OF THE EXPERIMENT AND FEEDBACK OF THE THEATRE FOR DEVELOPMENT PROJECT IN IBIAKU  COMMUNITY 2013
  8. AN ASSESSMENT OF MASS MEDIA CAMPAIGN AGAINST FEMALE GENITAL MUTILATION (FGM) IN AGENEBODE, ETSAKO EAST LOCAL GOVERNMENT AREA
  9. AUDIENCE PERCEPTION OF MEDIA COVERAGE AND MANAGEMENT OF THE 2011 POST ELECTION VIOLENCE
  10. CONFLICT-SENSITIVE REPORTING IN NORTHERN NIGERIA
  11. FROM DIFFUSION TO COMMUNITY PARTICIPATION: THE COMMUNICATION STRATEGIES OF THE NATIONAL MALARIA CONTROL PROGRAMME (NMCP)
  12. A GENDER ANALYSIS OF NIGERIA’S MILLENNIUM DEVELOPMENT GOALS IMPLEMENTATION REPORTS
  13. ASSESSING PARTICIPATORY RESEARCH FOR EFFECTIVE DESIGN OF HEALTH COMMUNICATION
  14. COMMUNICATING CHANGE AND SOCIETAL VALUES IN SELECT NIGERIAN HOME MOVIES
  15. COMMUNICATION AND GOOD GOVERNANCE
  16. AN APPRAISAL OF ELECTRONIC WALLET COMMUNICATION IN GROWTH ENHANCEMENT SUPPORT SCHEME OF AGRICULTURAL TRANSFORMATION AGENDA
  17. COMMUNICATION IN AGRICULTURAL RESEARCH AND INNOVATION PROCESS
  18. TESTIMONIAL ADVERTISING AND CONSUMER BEHAVIOR OF CHIEF ZEBRUDAYA’S CELEBRITY ROLE IN “ELEPHANT BLUE DETERGENT”ADVERT
  19. THE INFLUENCE OF THE INTERNET ON INFORMATION ACQUISITION AMONG STUDENTS
  20. VIOLENCE PORTRAYAL IN HOLLYWOOD AND IMPLICATIONS FOR YOUTHS‟ MORAL DEVELOPMENT: A READING OF “THE HOSTEL” AND “THE LAST HOUSE ON THE LEFT”
  21. WOMEN’S PARTICIPATION IN COMMUNICATING PRIMARY HEALTH-CARE POLICY
  22. YOUTUBE, NEW MEDIA, ADVOCACY AND THE CHALLENGES OF AUTHENTICITY
  23. THEATER AS A TOOL FOR COMMUNICATING HAND WASHING AMONG PRIMARY SCHOOL PUPILS
  24. A CRITICAL STUDY OF SOCIO-CULTURAL PRACTICES HINDERING WOMEN’S POLITICAL PARTICIPATION
  25. ROLE OF MUSIC IN TRADITIONAL FESTIVAL
  26. IMPACT OF HOME VIDEOS (FILMS) TO YOUNG YOUTHS IN NIGERIA (A case study of Kaduna state)
  27. HOW TRADITIONAL IS AFRICAN DANCE TODAY: AFRICAN DANCE AND ITS ESSENCE
  28. THE INFLUENCE OF FOREIGN TELEVISION ON NIGERIAN YOUTHS: A CASE STUDY OF YEAR TWO STUDENTS IN DEPARTMENT OF THEATER AND FILM STUDIES, UNIVERSITY OF PORT HARCOURT
  29. COSTUME AND MAKEUP AS A VITAL TOOL FOR CULTURAL AND TOURISM PROMOTION AND PRESERVATION IN NIGERIA
  30. THE IMPACT OF MUSIC ON TELEVISION COMMERCIAL
  31. COMPARATIVE ANALYSIS OF AUDIENCE ENGINEERING IN THE UNIVERSITIES OF UYO AND CALABAR

  32. FORTUNE PALMS” A VIDEO DOCUMENTARY ON PALM OIL PRODUCTION IN RISON PALM, UBIMA.

  33. MAN MATRIMONY AND SEX IN NIGERIAN DRAMA. A CASE STUDY OF WIVES REVOLT BY JP CLARK AND BROKEN CALABASH BY TESS AKAEKE ONWUEME.

  34. PROBLEMS AND PROSPECTS OF MOVIE MAKING IN NIGERIA’S NOLLYWOOD
  35. MASK MAKING AND ITS USES IN CHILDREN’S THEATRE: A CASE STUDY OF UNIVERSITY OF PORT HARCOURT CHILDREN.

  36. AN APPROACH TO CHILDREN’S THEATRE THROUGH CREATIVE DRAMATICS.

  37. THE ACTOR AND HIS ROLE: A CASE STUDY OF THE CHARACTER OF EGO IN ADAEZE ATUEGWU’S MY HUSBAND’S MISTRESS.

  38. ROLE INTERPRETATION: THE CHARACTER OF OBIAGELI IN “OTAELO”, BY AHMED YERIMA.

  39. WOMEN AND LEADERSHIP IN NIGERIA DRAMA. THE EXAMPLE OF ROTIMI JOHNSON’S THE COURT OF THE QUEEN’S BY UDENWOKE ALPHONSIANA CHIZOBA.

  40. STRATEGIES FOR THE MANAGEMENT OF THE THEATRICAL EVENTS IN CHIEFTAINCY INSTALLATION CEREMONIES. THE CASE IN BUGUMA, RIVERS STATE.

  41. WOMEN SUBJUGATION IN SOUTHERN NIGERIA. A STAGE DRAMATIZATION OF THE WIVES REVOLT BY JP CLARK.

  42. THEATRE MANAGEMENT OF A TRADITIONAL AFRICAN FESTIVAL: A CASE STUDY OF ODI OGORI FESTIVAL OF KOLOKUMA/OPUKUMA LOCAL GOVERNMENT AREA OF BAYELSA STATE.

  43. NIGERIAN HISTORICAL MOVIES AND THE SOCIETY. A STUDY OF ODUDUWA AND KING JAJA OF OPOBO.

  44. THE DRAMATIST AND SOCIAL HISTORY IN NIGERIA. A CASE STUDY OF OVONRAMWEN NOGBASI BY OLA ROTIMI

  45. THE PROSPECTS OF THEATRE FESTIVALS IN NIGERIA AS TOURIST ATTRACTION – A CASE STUDY OF THE NATIONAL THEATRE.

  46. THE MANAGEMENT OF A CULTURAL DANCE: A CASE STUDY OF “DIBU UGO CULTURAL DACE OF UGIRI” ISI-ALA MBANO

  47. THE STRATEGIES FOR MANAGING A TRADITIONAL THEATRE PERFORMANCE IN BUGUMA RIVERS STATE, NIGERIA. A CASE STUDY OF IKAKI MASQUERADE PERFORMANCE.

  48. BUILDING THE CREATIVE POTENTIALS OF THE ADOLESCENT: THE CREATIVE DRAMATISTICS APPROACH.

  49. “LABISTA”: THE ROLE OF CONTINUITY IN THE MANAGEMENT OF A FILM PRODUCTION.

  50. THE NIGERIAN ACTOR AND THE PERSONALITY QUESTION. A CASE STUDY OF SOME ACTORS.

  51. REALIZING THE CHARACTER IN ACTING THE ROLE OF PAPA ONA IN AMANDA N. ADICHIE “FOR LOVE OF BIAFRA”.

  52. MANAGEMENT STRATEGIES IN GOVERNMENT AND PRIVATE OWNED THEATRES IN NIGERIA. A COMPARATIVE STUDY

  53. NIGERIA’S NOLLYWOOD: PROBLEMS AND PROSPECTS OF MOVE MAKING IN NIGERIA

  54. DRAMA AS AN INSTRUMENT FOR CONFLICT RESOLUTION IN NIGERIA. A LITERARY ANALYSIS OF AMANDA ADICHIE’S FOR LOVE OF BIAFRA

  55. THEATRE MANAGEMENT OF A TRADITIONAL AFRICAN FESTIVAL. A CASE STUDY OF ODI UMAUCHI OWERRI FESTIVAL OF EHIME MBANO LGA OF IMO STAT

  56. ROLE OF INTERPRETATION AND CHARACTER DEVELOPMENT OF “TONYE” IN THE FILM, “DAWN OF A NEW DAY” DIRECTED BY IKEZEM GODSWILL

  57. THE IMPACT OF TOYS IN CHILDREN’S EDUCATION

  58. DRAMA AND THEATRE AS TOOLS FOR HISTORICAL ANALYSIS – CASE STUDIES OF BELL-GAM’S KING JAJA AND ODUM EGEGE BY MIESOINUMA MINIMA

  59. THE ACTOR AS AN INSTRUMENT OF SOCIAL CHANGE. A CASE STUDY OF THE INTERPRETATION OF EBUBE BY SAM DEDE IN ISAKABA I AND II

  60. THEATRE EDUCATION ON CHILD LABOR AND WOMEN TRAFFICKING: A CASE STUDY OF WOTCLE

  61. RAPE AND AGGRESSIVE SEXUAL BEHAVIOUR: CAUSES AND EFFECTS. A PRACTICAL VIDEO DOCUMENTARY FIL

  62. PERFORMER AS AN EXPRESSIVE MEDIUM OF A PEOPLE’S: A CASE STUDY OF UKO AKPAN CULTURAL GROUP OF AKWA IBOM STATE

  63. PUBLICITY AS A MARKETING STRATEGY. A CASE STUDY OF ELECHI AMADI’S ISIBURU AS PRODUCED BY THE RIVERS STATE COUNCIL FOR ARTS AND CULTURE.

  64. LIGHT AS ILLUMINATION AND EFFECT: A LIGHTING PROJEC

  65. TRADITIONAL THEATRE AS A MEANS OF COMMUNICATION

  66. THE NEED FOR A SUSTAINABLE THEATRE MANAGEMENT POLICY IN NIGERIA COUNCIL FOR ARTS AND CULTURE: A CASE FOR DELTA STATE COUNCIL FOR ARTS AND CULTURE

  67. THE THEATRE ARTS GRADUATE AND THE LABOUR MARKET IN NIGERIA

  68. THE IMPACT OF MANAGEMENT ON THE DEVELOPMENT OF A FESTIVAL: A CASE STUDY OGWU-EKPEYE OF THE EKPEYE TRIBE OF RIVERS STATE

  69. PROJECTING A STATE IMAGE THROUGH THE THEATRE: THE CONTRIBUTIONS OF THE RIVERS STATE COUNCIL FOR ARTS AND CULTURE.

  70. THEATRE MANAGEMENT IN DELTA STATE COUNCIL FOR ARTS AND CULTURE. A CASE STUDY OF DELTA STATE COUNCIL FOR ARTS AND CULTURE

  71. THE TASK OF MANAGING A RADIO STATION. A CASE STUDY OF BAYELSA STATE RADIO CORPORATION

  72. PROBLEMS OF THEATRE MANAGEMENT IN IMO STATE. A CASE STUDY OF IMO STATE COUNCIL FOR ARTS AND CULTURE.

  73. THE SCREEN ACTOR AND CULTURAL IDENTITY. A CASE STUDY OF IGODO.

  74. COMEDY AS A SOCIAL COMMENTARY. A CASE STUDY OF ELECHI AMADI’S PEPPERSOUP AND ZULU SOFOLA’S THE WIZARD OF LAW.

  75. CREATIVITY AND THE PHYSICALLY HANDICAPPED. A VIDEO DOCUMENTARY ON THE HOPE FOR THE DISABLED.

  76. LEADERSHIP CRISIS AND INEQUALITY IN NIGERIA: A CASE STUDY OF JULIE OKOH’S WHO CAN FIGHT THE GODS?

  77. DIRECTING AN EDUCATIONAL THEATRE: A CASE STUDY OF BAKARI OJO RASAKI’S “DRUMS OF WAR”.

  78. MANAGING A STAGE PLAY WITH LIMITED RESOURCES. A CASE STUDY OF HENRY BELLGAM’S UBE REPUBLIC.

  79. JUSTIFICATION FOR THE TEACHING OF DRAMA IN CHILDREN’S THEATRE IN RIVERS STATE PRIMARY SCHOOL.

  80. COSTUME AND CULTURAL EXPRESSION: A STUDY OF MOLIERE’S THE MISER AS A PRACTICAL THEATRICAL EXPERIENCE.

  81. A COMPARATIVE STUDY OF STAGE AND TELEVISION PRODUCTIONS – PROBLEMS AND PROSPECTS.

  82. THEATRE AS A MEDIUM FOR ENHANCING OUR STANDARDS OF LIVING AND DYING: A DIRECTORIAL APPROACH TO BARCLAYS AYAKOROMA’S. A MATTER OF HONOUR.

  83. EXPOSING THE AFRICAN CULTURAL HERITAGE. A CASE STUDY OF ZULU SUFOLA’S KING EMENE.

  84. POLITICS AND CLASS CONSCIOUSNESS: A CASE STUDY OF OLA ROTIMI’S IF…AND HOPES OF THE LIVING DEAD.

  85. CHARACTER INTERPRETATION IN NIGERIAN VIDEO FILMS: A CASE STUDY OF SAM DEDE.

  86. DRAMA AS A TOOL FOR SOCIAL CHANGE: A CASE STUDY OF EKENNA UDO-IGWE’S LIVING DEAD, PRODUCED BY EMMALEX PRODUCTIONS, 2004.

  87. DRAMA AND THEATRE PRACTICE AS EFFECTIVE MEANS FOR CHILDREN’S DEVELOPMENT. A CASE STUDY OF UNIVERSITY DEMONSTRATION SECONDARY SCHOOL